Diccionario de partículas discursivas del español [online: Search in Google ScholarĬardinaletti, Anna. Search in Google Scholarīriz, Antonio, Salvador Pons & José Portolés (eds.). In Francis Corblin & Henriëtte de Swart (eds.), Handbook of French semantics, 143–184. 10.1075/la.226.02bay Search in Google Scholarīonami, Olivier, Danièle Godard & Brigitte Kampers-Manhe. In Josef Bayer, Roland Hinterhölzl & Andreas Trotzke (eds.), Discourse-oriented syntax, 13–40. The derivation and interpretation of left peripheral discourse particles. Search in Google Scholarīayer, Josef & Andreas Trotzke. Discourse particles, clause structure, and question types. Search in Google Scholarīayer, Josef & Hans-Georg Obenauer. Glossa: A Journal of General Linguistics 3(1). Modal particles and sentence type restrictions: A construction grammar perspective. ReferencesĪlm, Maria, Janina Behr & Kerstin Fischer. Laura González López thanks Cristina Sánchez López for her help and support through the years. Andreas Trotzke gratefully acknowledges financial support from the Generalitat de Catalunya/Secretariat for Universities and Research of the Ministry of Economy and Knowledge (grant no. John Hopewell contributed to this article.We thank the audience at LAGB 2019 (UCL London) and our anonymous reviewers for helpful comments and discussion. Watching how they work together, one impulsive, the other more reflexive and cautious. He has a paternal side, like a bigger brother, or as if she’s his new partner agent. No one will expect their level of tenderness. The dynamics between Antonia and Garcia will surprise. They will be close to her until the season’s second half when viewers will note that something is coming and suffer for her. What are the main anchors for audiences at home or abroad?įor me, the heart of the series is Antonia. In Spain, audiences might get more nuances. People reacted very well indeed to the character dynamics. How did international and national audiences relate to the series? You world premiered “Garcia!” at Austin’s Fantastic Fest and Barcelona’ Sitges Fantastic Film Festival. We made a large effort to represent the past as a contrast between what it really was and an idealisation, which only leads to disaster. and U.K., and the creation of narratives as a result. The series talks about a hyper-polarisation in pretty well all countries, certainly the U.S. What I’m more interested in is a universal vision. It says: “This is Spain.” The series as it is could be from either side of Spain’s political divide. Parody takes an archetype and delivers a caricature. I enjoyed talking about reality from a non-conflictive standpoint. “García” has political referents but can’t be called a political series. “García!” in contrast, takes seriously the idea of a secret service created by Franco’s regime. Spanish fiction about super agents or supermen have always been parodies – “Mort & Phil” or “Spy Time” – based on the supposition that these figures can’t really exist in Spain. I wanted to differentiate “García!” It’s not a well-known graphic novel, so doesn’t create audience expectations. How did you address the adaptation in terms of tone? Variety talked to director Mira after the series celebrated its European premiere at Sitges: He added: “In the end, this is a highly entertaining action series which, thanks to its premise and short references to the past, tells the viewer the many things that have changed in our society over the last 60 years, but also fundamental things have remained the same.”īased on the 2014 graphic novel “¡García!” by Santiago García and Luis Bustos, with its suspense punctuated by humor and satire, “Garcia!” is created by Sara Antuña (“Aida,” Paco’s Men”) and Carlos de Pando (“Gran Hotel,” “Velvet”). “History and politics are part of the background of the series, but only to support the story,” explained Salvat. Once working for Franco he must decide where his loyalties lie amid a conspiracy to return Spain to brutal dictatorship, as the season builds to a reportedly spectacular climax. Programmed to obey without question, he has to learn to think – and feel – for himself. With a strong line in dapper ‘50s suits, a gravelly voice and manly bearing, García must adapt to a world that has changed beyond recognition. Antonia & Garcia – Veki Velilla & Francisco Ortiz Courtesy of HBO Max/Credit: Emilio PeredaĪs a presidential candidate disappears and street battles break out between different political factions, she accidentally defrosts a secret agent with extraordinary physical strength, Garcia (Francisco Ortiz, “El Cid”), cryogenically frozen in a laboratory in the 1950s by dictator Francisco Franco’s secret service.īilled as Spain’s answer to “Captain America,” “Garcia” is underpinned by a strong character arc.
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